A performer and set designer by training, Madame quickly shifted her focus to the visual arts, sculpture, painting, and then progressively collage.

Without neglecting her first love, Madame, using various materials from the era (paper, wood, metal, fabrics, etc.), deconstructs ancient iconography to make it speak to today.
Articulating her work of collage between text and image, she constructs small formats in her studio, sort of small three.
The small puppet theaters created in the intimacy of the workshop then transform into real open-air stages in public spaces.

A journey from the intimate to the public, which is not unlike the very essence of theater, but also of representation more globally, one's own as well as that of everyone else...